No Disassemble!: Our Tuesday is enlivened by pictures of disassembled household implements. [A Continuous Lean]

Times is Hard: Esquire’s guide to surviving the recession in style. Warning: it involves bubble coats. [Esquire]

YouTube Eye: YouTube’s screening room launches to great acclaim. [CoolHunting]

Rings and Things: The Olympics get a little more branded. Actually, make that a lot more branded. [IHT]

The Kids are Alright: Men’s apparel sales are outpace the female sector, mostly due to impeccable blogging from yours truly. [DNR]

We have to admit, the Brits at Monocle are on quite a roll. They’ve managed to put together their own shop, an excellent scarf and now this leather notebook with a subtle “M” logo stamped on the side of each page. Ladies and Gentlemen, this is branding done right.

We can’t wait until Esquire catches on and we get to see this kind of cross-promotion stateside.

The award for most interesting market niche so far goes to Kibsgaard, a Danish company that specializes in the inch-long metal logos affixed to the bottom of most TVs…or at least most TVs made in the 90s. It’s not an aesthetic you see a lot in the age of the iPhone, but it’s nice to know where it comes from.

One of the nice thing about having a particular style is that it lets you turn old staples on their heads.

By now, Daiki Suzuki’s style is pretty well-known. Under the Engineered Garments label, he’s championed simple, trim workwear items from the beginning, and birthed a trend in the process. Now he’s taking on the traditionally bulky leather bomber jacket…and turning into a slim cotton twill jacket that looks like exactly what you’d expect from Suzuki.

Take notes; this is how brands are made.

See Suzuki’s bomber jacket up close»

It’s been brought to our attention that Esquire’s best dressed man, Kenyatte Nelson, is in fact a brand manager for Proctor & Gamble, rather than a lowly PR rep.

We’ve got a few brand managers here at Kempt, so we’ve got no snarky quips in their direction, but if Nelson’s really holding the keys to the kingdom…can he do something about the logo?

Maybe something a little less freemason-y?

For a heritage brand, Dunhill’s been a little shaky lately.

Take, for instance, their latest lighter design. It’s modeled after the lighter Elvis used in the 50s, and not a bad specimen as Elvis-related trinkets go. With a history going all the way back to the 1890s, Dunhill’s well-equipped to take on this particular historical reissue, but the whole enterprise seems unhealthy somehow.

It’s not Elvis himself—although taking on his legacy is a hefty task—but the overwhelming sense that they’ve somehow gotten into the souvenir business…

Perhaps we should elaborate»

For some reason, A.P.C. seems to be on vacation.

Their latest summer collection is practically a handbook for the young and tweedy Ibiza crowd. It’s quite a thing to nail down a particular age and moment—Ralph Lauren started out in much the same way—but it’s interesting that this is where the francophone label has found themselves.

The fall lines always seemed more reserved than their stateside counterparts. These were clothes for schoolkids, but mostly the ones in the library, which makes this beachbound hedonistic turn more than a little surprising.

Then again, that’s what summer vacation is for.

See the rest of the line»

Branding firms are still figuring out how to make a web video people will actually want to see, but the formula isn’t so complicated. Just find something worth watching and figure out some way to fit your product in—preferably something other than an opening title card.

Ito Partners gets it right with this series of Vimeo spots for Morgans Hotel Group. Ito lined up a series of relatively unknown acts to play sets in Morgans Hotel rooms, giving viewers an impromptu concert and a look at the soothing surroundings at the same time. And, in case you were wondering, the acoustics at the Royalton are surprisingly good.

See the New York video»

Branding can be a shifty enterprise. It deals in abstracts, and it can take decades to unravel whether something was a brilliant idea or just a brilliant pitch—and for the most part, no one can tell the difference.

All of which goes a long way towards explaining someone like Peter Arnell.

He’s been behind some of the more iconic images in recent memory—DKNY’s Houston St mural, ConEdison’s redesigned trucks, and the curvy new Pepsi logo—along with some of the biggest tantrums in the business, but after a disastrous Tropicana redesign, the sharks are circling. And suddenly, people are using the word “huckster” an awful lot…

We examine Mr. Arnell indepth»

In the post-Hirst era, an artist’s only as good as his brand. And a brand’s only as good as its mascot…

Apparently Takashi Murakami decided to give a little fuel to those Walt Disney comparisons, releasing three 20 second mini-spots for a fictional tv show starring one of his creations.

This time, it’s Inochi, a grotesquely misshapen schoolboy who seems to be going through a sexual awakening. The spots are familiar to anyone who saw his Brooklyn Museum exhibition, but this time around, it seems like he has a decent shot at the mainstream. Aren’t we supposed to be in a television renaissance?

We have to think there’s a basic cable channel out there that would be willing to bankroll this. The publicity alone would be priceless. Is TV Land doing anything these days?

See the video»

If this polo shirt looks familiar, it should. You’ve probably seen the American Apparel version on at least a dozen skinny hipsters by now…you just haven’t seen it in this size.

Don’t look for it in stores, though. This one comes from Colossal Clothing, a new brand that deals in American Apparel styles and fabrics recut for less emaciated frames. Every tron jacket and henley is still made in Dov’s own factories, but the cuts are brand new and the shape is unlike anything you’ll see on a billboard.

The story behind Colossal Clothing»

One of the more interesting booths at (capsule) had surprisingly little to do with clothing. Shockingly enough, this one has to do with newsprint.

The booth in question belonged to Staple, a clothing line and design firm that’s best known as the owner of the Lower East Side boutique Reed Space. But this month they’re branching out even farther, with a quarterly called Reed Pages. It’s all interviews and editorial spreads so far, but the highlight might be in their innovative approach to advertising. Called “sponsorship,” each ad consists of the brand’s logo printed an inch high in the middle of a huge blank page. It’s branding at its purest: no models, no pictures and no elegantly worded slogans.

The style highlight of the U.S. Open so far looks to be a remarkably simple item: Roger Federer’s brand new branded ballcap. All the proceeds go straight to charity—hopefully Roger can squeak by with one fewer house—but the logo definitely makes it as much Lakers as Livestrong.

It’s an interesting development—and certainly a profitable one, judging by the number of caps we’ve seen in the stands so far—and we’re guessing this is only the beginning. It may not be quite as graceful as the Air Jordan, but it should serve about the same purpose now that Federer’s positioning himself as the best-branded athlete of his generation. Next time he wants to endorse a line of watches, it may be as simple as tossing a logo on it. And if you wonder how big the logo’s getting, look a little closer: Nike’s already getting second billing.

Walk Hard: Thank heaven for lingerie shows. [WBE]

Fighting Words: A branding guru takes on the fashion industry. Clearly, he’s never met Tom Ford. [PSFK]

It Was Worth a Shot: What if Google implanted an elaborate code into their site and nobody noticed or cared? [The Google Blog]

Name That Model: Identify a call sheet of models and win a classic of 19th Century literature. No, we’re not kidding. [Fashion Copious]

Not all German cars are created equal.

To anyone weathering the sea change after the wall fell, the Trabant was the brightest symbol of clunky East German industrialism. It boasted a ridiculously complex refueling process, a ten year waitlist, and a two-stroke engine that did 0-60 in a blistering 21 seconds. In short, quite possibly the worst car ever made. So naturally it’s due for a revival.

The new Trabbi, currently hunting for investors, swaps out the moped engine for a gas-free electric motor that should give the notoriously smoky vehicle a fresh green face, but the basic question remains: Why not give it a new name? The Trabbi’s boxy silhouette’s as reviled as it is beloved, so it might have been worth just starting from scratch. Unless the GDR’s coming back into style…